Tables, Chairs, and
Praying Mats at
The Mahayana Buddhist
Temple
Situated
at 133 Canal Street in New York City is the oldest Mahayana Buddhist temple of
Eastern US. Established in 1964, the temple has been a fixture in Chinatown,
drawing both tourists and worshippers from all over the countries. More importantly,
the temple, specifically the Main Hall, represents the Buddhism that East Asian
immigrants have brought to the US in the late 19th century.
At the front and center is a large
golden seated Amtabha Buddha, the central figure of Mahayana Buddhism. In front
of him is a large altar, on which worshippers can place their offerings to the
Buddha, often in the form of flowers or fruit, and they can also burn their
incenses here. On the walls are picture detailing the life story of Sakyamuni
Buddha, with both Chinese and English subtitle beneath. The hall is overwhelmingly
red, as in China, it is the color of luck and happiness. However, the most
important element of the hall is the chairs and tables, along with the praying
mats on the floor.
Yes, I know you can find these
particular dark red tables, chairs, and praying mats everywhere from Walmart to
Ebay. You can probably buy them in bulk a block away from the temple in
Chinatown. What makes them religious artifacts is the setting they are placed
in. In my opinion, they represent the most wonderful aspect of any religion in
the world: community.
The sense of community is embedded
in how the temple is founded. According to the website, Mrs. Annie Ying and her
husband Mr. James Ying first built the place as a social hub for the men and
women they always saw sitting drinking tea and coffee in the park across. They
decided it would be a Buddhist Temple as there had not been one in the greater
New York area. When you walk in the temple before the morning service, there are
still free coffee and tea pots for everyone, and they will drink them at the
table in the main hall. During the service, the chairs and tables will be
replaced by the praying mats. The service is usually chanting meditation, in
which all fellow Buddhists will join the head monk to mediate with him chanting
the Sutras in Sanskrit. It is no wonder that the Chinese American community of
NYC’s Chinatown is such a tight knit one, and everybody knows everybody, a rare
occurrence of any community in a city of more than eight millions people. It is
through this tradition, and through the tables and chairs and praying mats that
the community is formed and sustained. The tables and chairs and praying mats
are the embodiment of this sense of community.
The
Meditation Tradition of Jack Kerouac’s Ray Smith, as detailed in “The Darhma
Bums,’’ is missing out on a great feature. Ray wants to be Awaken, to be a
Buddha. He mediates and travels and hitchhikes to find the truth of life. He
seeks and seeks and realizes that life is empty. As the Buddha teaches, there
is no-self. However, Ray forgets the other side of ‘’no-self’’ is ‘’interconnectedness.’’
There is ‘’no-self’’ because essentially we are just all made off endless
connection between us and nature, between us and the community around us. Ray
forgets that we are not alone, and we depend on the people around us to
survive, and live. A ‘’Darhma’’ is someone who has been awaken. More
importantly, a “Darhma’’ can help others awaken, and create a community themselves.
No bed of grass, no dune of sand, no forest,… can replace these tables, chairs
and praying mats.
One
of the reasons for Dorothy Day’s conversion is the Catholic community. The
community is what keeps every religion alive. The community is what keeps
Buddhists in Shanghai and Buddhists in New York City connected. Every community
of each religion is what transcends and unifies them. They gave their followers
the sense of belonging that no identity can provide them. To some people,
religion may seem out of fashion. But they should know that it is Buddhism and
the Mahayana Buddhist temple, and the chairs and tables and praying mats that
created and maintained the Chinese American community of NYC’s Chinatown.
Note: Because there is a sign
specifically said not to take pictures inside the temple, I have to use a
picture courtesy of macaulay.cuny.edu.
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